Zelda's New Haircut Is More Than A Fashion Statement, It's A Sign Of Growth > 자유게시판

Hyrule is safe once more, but so much was lost to acquire even a semblance of peace. Now, Zelda must emerge from the ruins of destruction and build something from the wreckage. It’s a heartbreaking conclusion to her destiny, and Zelda is left with so much emotional and physical baggage that it’s easier just to cut it all away - this detachment has been presented in a rather literal sense with her new hairstyle.

Chris Redfield may be the closest thing _ Resident Evil _ has to a main character, but he’s hardly the face of the franchise. Beyond conceding that role to Jill Valentine, Chris’ popularity is outshined by that of Leon S. Kennedy. The main character of _ Resident Evil 2 _ and _ 4 _ , it only makes sense to strike while the iron’s

Despite Breath of the Wild being recognised as a masterpiece, its storytelling aspects are one of its most criticised elements. Given the nature of its narrative, and how Link finds himself awakening a century after the world began to fall apart, it’s natural that a number of critical characters have either perished, moved on, or just aren’t part of the picture anymore. It’s a lonely game, but deliberately so.

_ Code Veronica _ , on the other hand, builds up on plot threads established by the original trilogy in order to tell a story that was meant to set-up a final confrontation with Umbrella. While Chris and Claire don’t have much in the way of character arcs, they contrast nicely with the main villains, leading to surprisingly poignant classist them

The classic approaches weren’t bad or archaic. It’s a common misconception. They often had janky controls, poor accessibility, or even overly difficult game design - but the aesthetic was never to blame. The industry has ironed out a lot of these creases over the years to create much smoother experiences, and the indie space is proof enough that 2D doesn’t mean old and obtuse. The Binding of Isaac takes the original Zelda and makes it a roguelike, even sharing its UI, dungeon format, and item pickup animation - the inspirations ooze. Undertale is a 2D RPG that has combat expressed through a small box that has you avoiding the bullet-hell barrage - it doesn’t rely on fancy graphics. Little Dew is a more comedic Zelda that feels like an HD rendition of the classics with a quaint, cartoony art style. These are all iconic titles, despite not being 3D triple-A blockbusters. Meanwhile, when Nintendo wants to revive its classic library, it does Marais executioner sword do Bleed so by modifying its 2D approach, 3Dizing them instead. Look no further than the upcoming Brilliant Diamond and Shining Pearl Pokemon gam

Princess Zelda’s new look could be little more than an aesthetic makeover, but that would cheapen what her character is capable of, especially given how much room she’s given to shine in Breath of the Wild. While she’s seldom seen outside of flashbacks and cutscenes, watching her initial reticence to Link ’s presence and how it evolves into a willingness to confide in the Hero of Time as a lasting companion is emotional to watch, especially once we become aware of everything Zelda has lost and seeks to regain while keeping Calamity Ganon at bay. She’s the integral fabric of this narrative, while Link is the weaver who joins all of these incoherent threads together.

Female characters parting with their hair has been a deliberate sign of growing maturity in media for decades, a changed appearance highlighting that women are willing to leave behind everything in service of something greater. Mulan is the most popular example, with the titular character cutting her gorgeous hair to join the army and assist her ignorant father. It's the opposite of Zelda’s situation - instead of pulling herself away from the royal family, Mulan is doing everything she can to preserve it. But the core motivation remains the same: these are two women who realise a sacrifice must be made, even if it means altering their appearance and walking away from a life of security.

Given the trajectory of Capcom’s admittedly stellar remakes thus far, I’m unsure it will do such a thing. It could be the opposite, with reimaginings of Resident Evil 2 and 3 opting to trim the fat in favour of tightly executed scares and chaotic action instead of giving us time to stew in our own horrific, b-movie circumstances. Compared to everything that came before it, Resident Evil 4 was a completely different beast. It took the clunky controls of the franchise and morphed them into a third-person shooter experience that felt deviantly modern by 2005 standards. It wasn’t afraid to push boundaries, setting the bar so high that I’d argue the genre is yet to surpass them even to

How it is currently, _ RE4 _ throws a curveball out of nowhere to attempt to reset the board. In practice, however, this just results in _ Resident Evil 5 _ needing to pick up the pieces and try to pick up where the original _ Code Veronica _ thematically left off. Just one single game of set up can fix this is